One could only enumerate the elements to let the film tell itself. And this is besides one possible purpose of Hanoun here. Just let things communicate between themselves without the coercition of usual continuums (space and time) and let’s see and feel what happens. Yet there are clues given, relations but they are separated when one could await a close editing and vice versa. There seems to have two worlds, cinematographic worlds I mean : B&W and colour and things circulate from one world to another, people too…
But let’s just enumerate
the man
a young girl in a click clock ?
black and white
colour
tears
http://nitroflare.com/view/F5C50751735BF3A/Le_printemps_24fps_-_Marcel_Hanoun_%281971%29.mkv
http://uploadgig.com/file/download/43e7121b88E9f49b/Le printemps 24fps – Marcel Hanoun 1971.mkv
Language(s):French
Subtitles:English custom, English retail