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Joe Gibbons – Sabotaging Spring (1991)

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“It’s spring, it’s spring, and I feel I’m giving birth myself, to something monstrous, something ugly.” Gibbons enters the woods to begin his destructive campaign against spring, snapping the buds off trees while babbling maniacally. Sabotaging Spring is an impressionistic peek at Gibbons’s paranoid fancy; he explains to his dog, Woody the facts of life, evolution, and whistling.

162MB | 10m 05s | 706×529 | mkv

https://nitroflare.com/view/198CDC4CA44632F/Sabotaging.Spring.1991.DVD.AC3.2.0.x264-SaL.mkv

Language:Englishh
Subtitles:None/p>

The post Joe Gibbons – Sabotaging Spring (1991) first appeared on Cinema of the World.

James Benning – daylight (2019)

Kenji Onishi – Northern Lights (1999)

David Blair – Wax, or the Discovery of Television Among the Bees (1991)

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A man recalls the story of how his bees implanted in him a bee television, causing him to lose all perception of space, time, and self in the deserts of the American West.

1.51GB | 1h 28m | 718×538 | mkv

https://nitroflare.com/view/6F2456DE1625A9A/Wax,_or_the_Discovery_of_Television_Among_the_Bees.mkv
or
https://nitroflare.com/view/22842DFC2747550/Wax,_or_the_Discovery_of_Television_Among_the_Bees.part1.rar
https://nitroflare.com/view/0FF0C2D8ED040B9/Wax,_or_the_Discovery_of_Television_Among_the_Bees.part2.rar

Language(s):English
Subtitles:None

The post David Blair – Wax, or the Discovery of Television Among the Bees (1991) first appeared on Cinema of the World.

Emmanuel van der Auwera – The Sky Is on Fire (2020)

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A hypothetical digital ruin of a virtual Miami street is the backdrop for the monologue of a Miami resident who reflects on the desire for immortality that drives our need to capture everything in an image.

Quote:
“We are temporary,” repeats a mysterious voice as the camera glides across computer-generated urban detritus. This enthralling survey on technology and impermanence immerses us in its foreboding scenery as if we were alone inside of a video game. An extreme wide-screen jump into the digital void

498MB | 15m 22s | 1280×532 | mkv

https://nitroflare.com/view/146FB3F83CA14C0/The.Sky.is.on.Fire.2020.720p.WEB-DL.x264-gooz.mkv

Language(s):English
Subtitles:English, Portuguese, Italian, French, German, Spanish

The post Emmanuel van der Auwera – The Sky Is on Fire (2020) first appeared on Cinema of the World.

Eric M. Nilsson – Brutal (1980)

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Short film on the economic conditions and aesthetic decisions of filmmaking. One of Eric M. Nilsson’s most acclaimed films.

Quote:
Nilsson was educated in directing at the reputable film school IDHEC in Paris. In the early 1960s, he came to be a part of the then newly started department of documentary film at SVT, and it was in television that Eric M Nilsson got the opportunity to develop his associative pictorial storytelling. A variety and mix of genres are unmistakable in Nilsson’s work: essay films as Anonym and Åtgärdas alongside documentaries as Djurgårdsfärjan, and the experimentation in form in Passageraren, Brutal, and Ormgard. The common denominator is mistrust in language and an interest in the creation of meaning in the relations between words and images.
Filmform

197MB | 7m 13s | 691×432 | mkv

https://nitroflare.com/view/BB52602C86614FF/Brutal_(Eric_M._Nilsson,_1980).mkv
https://nitroflare.com/view/161E4BBD7BA9AB9/Brutal_(Eric_M._Nilsson,_1980).srt

Language(s):Swedish
Subtitles:English

The post Eric M. Nilsson – Brutal (1980) first appeared on Cinema of the World.

Jonas Mekas – Sleepless Nights Stories (2011)

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Quote:
This film originated from my readings of the One Thousand And One Nights. But unlike the Arabian tales, my stories are all from real life, though at times they too wander into somewhere else, beyond the everyday routine reality.

There are some twenty-five different stories in my movie. Their protagonists are all my good friends and I myself am an inseparable part of the stories. The storyteller of the Arabian Nights was also part of his or her tales.

Some of the people in the movie you’ll recognize, some not. The fact that some of them you’ll recognize has no bearing on the stories: after all, we all recognize John Wayne or Annette Bening, but in their stories they are no longer the people we know.

The subjects of the stories cover a wide range of emotions, geographies, personal anxieties, anecdotes. These are not very big stories, not for the Big Screen: these are all personal big stories… And yes, you’ll also find some provocations… But that’s me, one ‘me’ of many. The very question “What is a story?” is a provocative question.

2.22GB | 1h 51m | 768×576 | mkv

https://nitroflare.com/view/E89B1F485C1D69E/Jonas_Mekas_-_(2011)_Sleepless_Nights_Stories.mkv
or
https://nitroflare.com/view/1073CD766777988/Jonas_Mekas_-_(2011)_Sleepless_Nights_Stories.part1.rar
https://nitroflare.com/view/B9A0FB9145EE5F1/Jonas_Mekas_-_(2011)_Sleepless_Nights_Stories.part2.rar
https://nitroflare.com/view/3D1177055B255E3/Jonas_Mekas_-_(2011)_Sleepless_Nights_Stories.part3.rar

Language(s):English
Subtitles:English, German, French, Lithuanian

The post Jonas Mekas – Sleepless Nights Stories (2011) first appeared on Cinema of the World.

Mark Rappaport – L’année dernière à Dachau (2020)

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Quote:
Near Munich, in Bavaria, Germany, is the Schleißheim Palace, where French filmmaker Alain Resnais shot his film Last Year at Marienbad in 1960. Nearby is the Dachau concentration camp, where thousands of people were killed between 1933 and 1945. An essay about the present and the past, beauty and horror, life and death.

Quote:
Rappaport’s latest video is an extraordinary and profound exploration of the spatial, textual, historical and thematic threads that join together Resnais’ Last Year at Marienbad and Night and Fog, Kubrick’s Paths of Glory, the short film career of Françoise Spira, the representation of the Holocaust in films like Von Trier’s Europa and Pakula’s Sophie’s Choice, and the material legacy of Dachau Concentration Camp.

Moving beyond the often-playful speculation of many of Rappaport’s works, this haunted film spirals into the heart of 20th century history, cinema, psycho-geography and atrocity.

437MB | 29m 21s | 1280×720 | mkv

https://nitroflare.com/view/C06BCCF66B956D3/L’année_dernière_à_Dachau_(Rappaport,_2020).mkv

Language(s):English
Subtitles:None

The post Mark Rappaport – L’année dernière à Dachau (2020) first appeared on Cinema of the World.

Anton Vidokle – This Is Cosmos (2014)

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This is Cosmos is the first film in a trilogy inspired by the ideas of Russian cosmism, which is a unique phenomenon that emerged in the late 19th century, bringing together religious, philosophical, scientific and aesthetic theories united by a common idea of cosmos as a universal order.

Drawing widely on poems, philosophical texts, scientific writings, academic papers, and historical studies from followers of Cosmism, Anton Vidokle has focused on the writings of philosopher Nikolai Fyodorov, the founder of the movement. In creating his theories of the “Common Cause,” Fyodorov advocated for the development of scientific methods for the radical extension of life and the resurrection of the dead, believing that death was a mistake, “because the energy of cosmos is indestructible, because true religion is a cult of ancestors, because true social equality is immortality for all.”

This is Cosmos was filmed at locations in Moscow and Arkhangelsk regions, Altai, Kazakhstan and Crimea—regions and places that have played an important part in the history of the movement. As a non-linear history of ideas and practices related to cosmism, the film is an aesthetic exploration of the potential immanent in the utopian idea of a better world. In this way Vidokle recalls the tradition of the Russian avant-garde with their totality of thinking.

Underlining this connection, one section of A Progress Report is dedicated to works by artists of the Russian avant-garde: Kazimir Malevich and his pupils Nikolai Suetin, Ilya Chashnik, Konstantin Rozhdestvensky, Vladimir Sterligov, Ivan Kudriashov; Mikhail Matyushin’s followers Pavel Mansurov and the Ender siblings; as well as visionary architect Yakov Chernikhov. For them cosmos was no longer an abstract idea, but a very real foundation for a great experiment. They all believed in the universal power of their art and imagined a new world, challenging the laws of physics. In the context of cosmism, their utopian projects become a constructive force leading humanity toward new opportunities.

Anton Vidokle is an artist and editor of e-flux journal. He was born in Moscow and lives in New York and Berlin. Vidokle’s work has been exhibited internationally at Documenta 13 and the 56th Venice Biennale. Vidokle’s films have been presented at Bergen Assembly, Shanghai Biennale, the 65th and 66th Berlinale International Film Festival, Forum Expanded, Gwangju Biennale, Centre Pompidou, Tate Modern, Garage Museum, Istanbul Biennial, Haus der Kulturen der Welt and others.

1.09GB | 28m 10s | 1920×1080 | mkv

https://nitroflare.com/view/8F0CDC033C61EE4/This_Is_Cosmos_2014_1080p_WEB-DL_H264.mkv
or
https://nitroflare.com/view/707807F01EB7237/This_Is_Cosmos_2014_1080p_WEB-DL_H264.part1.rar
https://nitroflare.com/view/A05BC4A538E5B08/This_Is_Cosmos_2014_1080p_WEB-DL_H264.part2.rar

Language(s):Russian
Subtitles:English (hardcoded)

The post Anton Vidokle – This Is Cosmos (2014) first appeared on Cinema of the World.

Anton Vidokle – The Communist Revolution Was Caused by the Sun (2015)

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Quote:
The Communist Revolution Was Caused By The Sun is the second film of Anton Vidokle’s trilogy on Russian cosmism, a metaphysical philosophy and cultural movement that emerged in the late 19th and early 20th centuries among Russian scientists, intellectuals, artists, and revolutionaries, which speculated on the possibilities of space travel; the use of electromagnetic energies to enhance health, healing, and vitality; and prolonged human lifespan, immortality, and even resurrection. This film focuses specifically on the poetic dimension of the theories of Soviet biophysicist, Alexander Chizhevsky (1897-1964), whose lifework involved the study of the effects of aero-ionization and cosmological fluctuations such as sunspots and solar flares on human health and behaviour.

Shot in Kazakhstan, the location of a vast network of Soviet labour camps as well as the heart of the Soviet (and then Russian) space programs, where Chizhevsky was imprisoned and later exiled, the film introduces Сhizhevsky’s research into heliobiology, the study of the effects and influences of the sun’s cyclical flares and lulls on terrestrial organisms. Through analyzing solar records and comparing them to major events in human history, Chizhevsky discerned that human sociology, psychology, politics, economics, and culture shifted and changed in relation to the rising and falling activity of the sun. This undulating wave of solar and human activity followed eleven-year cycles, which consisted of the following four periods: the first, corresponding with a phase of minimal solar activity, is characterized by feelings of peacefulness, passivity, tolerance, and creativity; second, as solar activity increases, humanity enters a time of uplifted social mood, during which the masses begin to organize and unify under new leaders and ideas; this phase is followed by a peak interval of solar activity which causes maximum excitability and elevated passions in humanity, resulting in revolutions, upheaval, and wars; and finally, as solar activity once again declines, humanity enters a period of a gradual decrease of excitability and the disintegration of social unity, until the masses become separatist, apathetic, and fall back into a depressed social mood.

Collaging scenes of life in rural Kazakhstan, abstracted views of the world from space, vignettes of human toil, and passages resembling educational science videos, alongside excerpts from Chizhevsky’s writing, historical accounts, religious ruminations, and poetic contemplations on the nature of life, death, and the invisible energies that affect us, The Communist Revolution Was Caused By The Sun evokes the ultimate, transhumanist focus of the futurological projects of Russian cosmism: the common cause of humankind in our struggle against the limitations of earthly life.

Through watching, we as viewers are implicated as well. Bookending the film with entrancing black-and-white scenes overdubbed with a voice coaxing us into a state of meditative relaxation, Vidokle employs elements of clinical hypnosis commonly used to help patients overcome addictions in a gesture toward breaking our human dependence on mortality—a through line of life and death which references the desire implicit in cosmism to rejuvenate, heal, and delay dying, and to assert the place of humans as immortal, cosmic beings.

Anton Vidokle is an artist and editor of e-flux journal. He was born in Moscow and lives in New York and Berlin. Vidokle’s work has been exhibited internationally at Documenta 13 and the 56th Venice Biennale. Vidokle’s films have been presented at Bergen Assembly, Shanghai Biennale, the 65th and 66th Berlinale International Film Festival, Forum Expanded, Gwangju Biennale, Centre Pompidou, Tate Modern, Garage Museum, Istanbul Biennial, Haus der Kulturen der Welt and others.

1.11GB | 33m 36s | 1920×1080 | mkv

https://nitroflare.com/view/2F061F6617E07D3/The.Communist.Revolution.Was.Caused.By.The.Sun.2015.1080p.WEB-DL.H.264b.mkv
or
https://nitroflare.com/view/8223AE8AE377003/The.Communist.Revolution.Was.Caused.By.The.Sun.2015.1080p.WEB-DL.H.264b.part1.rar
https://nitroflare.com/view/555DA510117B415/The.Communist.Revolution.Was.Caused.By.The.Sun.2015.1080p.WEB-DL.H.264b.part2.rar

Language(s):Russian
Subtitles:English (Hardcoded)

The post Anton Vidokle – The Communist Revolution Was Caused by the Sun (2015) first appeared on Cinema of the World.

Daïchi Saïto – earthearthearth (2021)

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The expansive mountainscapes of the Andes are the basis for this new, 35mm film by Daïchi Saïto, who won the 2016 Tiger Award for Short Films with Engram of Returning. Once again propelled by the free, pulsating improvisation of saxophonist Jason Sharp, in which his heartbeat and breathing play a prominent role, the series of images slowly becomes more abstract. The end result is a hypnotic, sensory meditation on ‘our’ earth.

562MB | 30m 02s | 962×720 | mkv

https://nitroflare.com/view/089ECC4B62267B3/earthearthearth.2021.720p.WEB.AAC.2.0.x264-SaL.mkv

Language(s):No linguistic content
Subtitles:None

The post Daïchi Saïto – earthearthearth (2021) first appeared on Cinema of the World.

Ferdinand Khittl – Die Parallelstrasse AKA The Parallel Street (1962)

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Die Parallelstraße is one of the most mysterious pioneer films of the New German Cinema. It was produced by GBF, a production company for innovative industrial and promotional films and received awards in inter national film festivals. French critic Robert Benayoun called it “a philosophical thriller, a western of meditation which compensates for a whole year of inevitable manifestations of stupidity,” Jacques Rivette put it on his list of the most important films of 1968. The DVD presents for the very first time this “unjustly forgotten masterpiece of the New German Cinema” (Martin Brady) as well as several rare shorts by Ferdinand Khittl (1924-1976) which show his talent for innovative film experiments.

2.45GB | 1h 22m | 768×576 | mkv

https://nitroflare.com/view/0EF692946472308/The.Parallel.Street-x264-hiprofile.mkv
or
https://nitroflare.com/view/3DB7C68BF2F783B/The.Parallel.Street-x264-hiprofile.part1.rar
https://nitroflare.com/view/022F601CDB3065C/The.Parallel.Street-x264-hiprofile.part2.rar
https://nitroflare.com/view/F3D09CB62FE49ED/The.Parallel.Street-x264-hiprofile.part3.rar

Language(s):German
Subtitles:English

The post Ferdinand Khittl – Die Parallelstrasse AKA The Parallel Street (1962) first appeared on Cinema of the World.

Khavn – IDOL: Bida/Kontrabida AKA IDOL: Hero/Villain (2005)

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Quote:
One of the best films of 2005. — Paolo Bertolin

In the extraordinary film “IDOL”, all aspirations are stunted and all beyonds are ludicrous. The brilliant farce that is “IDOL” is so profoundly pathetic, it is hilarious. Indeed it is so unusual, provocative and at times shattering that a new aesthetic category might be required here. In “IDOL”, Khavn has hit upon a method adequate to the full-of-shitness of the world and a new modality for realism. — Jonathan Beller

581MB | 1h 22m | 858×480 | mkv

https://nitroflare.com/view/56015B884FA65F3/IDOL.Bida.Kontrabida.2005.480p.HC.WEB-DL.AAC2.0.x264-RSG.mkv

Language:Tagalog
Subtitles:English hardcodedh

The post Khavn – IDOL: Bida/Kontrabida AKA IDOL: Hero/Villain (2005) first appeared on Cinema of the World.

Hollis Frampton – Hapax Legomena I: Nostalgia (1971)

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Quote:
As its name suggests, Nostalgia is autobiographical. Its maker, HOLLIS FRAMPTON, is recognised as one of the leading figures of the New American Cinema, a contemporary of Michael Snow, Paul Sharits and George Landow. This film, made in 1971 and itself part of a larger work called Hapax Legomena relates to a period between 1958 and 1966- before Frampton was known as a film-maker and was working mainly in still photography. Twelve photographs are presented as ‘documents’ of that period. A number are of friends in the New York art world, others are images that were of aesthetic interest. The tone throughout is dry and ironic.

Each photograph is presented to the camera and a voice, speaking in the first person, describes the content of the image, the personal circumstances that surround it and the memories it evokes. After a minute or so when the commentary has ceased, each photograph gradually curls up and burns, transformed into black ash by the hotplate on which each in turn is placed. The structure of the film is complicated by the fact that the commentary for each image is ‘out of synch’: each commentary fits the photograph to follow not the one before our eyes. The spectator himself is thus caught up in the process of memory and prediction that are the subject of the film.

1.01GB | 36m 11s | 740×576 | mkv

https://nitroflare.com/view/36D516197A17334/Hapax.Legomena.I.Nostalgia.1971.576p.BluRay.AC3.x264.AquA.mkv
or
https://nitroflare.com/view/026062F87954182/Hapax.Legomena.I.Nostalgia.1971.576p.BluRay.AC3.x264.AquA.part1.rar
https://nitroflare.com/view/F78BCC0D9DF6E84/Hapax.Legomena.I.Nostalgia.1971.576p.BluRay.AC3.x264.AquA.part2.rar

Language(s):English
Subtitles:None

The post Hollis Frampton – Hapax Legomena I: Nostalgia (1971) first appeared on Cinema of the World.

Lynne Sachs – Drawn and Quartered (1987)

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Lynne and her friend John shot this film with a Regular 8 camera on a roof in San Francisco, literally creating a “drawn and quartered” image. Mostly, they each exist in their own private domains, separated by the barrier of the film frame. Sometimes, however, one person dares to intrude upon the pictorial space of the other.

154MB | 4m 15s | 1920×1080 | mkv

https://nitroflare.com/view/37E7F51C713628B/Drawn.and.Quartered.Lynne.Sachs.1987.1080p.mkv

Language(s):None
Subtitles:None

The post Lynne Sachs – Drawn and Quartered (1987) first appeared on Cinema of the World.

Ja’Tovia Gary – An Ecstatic Experience (2015)

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Quote:
An Ecstatic Experience (2015) incorporates narratives and sounds from different archival media, such as harp recordings by jazz musician and composer Alice Coltrane and a film performance by the actress, playwright, and civil rights activist Ruby Dee in the role of Fannie Moore, a woman born into slavery in 1849 who narrates the story of her mother praying ecstatically that their enslavement be over. Within these montages, Gary intersperses animated scratches, glitches, markings that draw the viewer to an interview with Assata Shakur, a former member of the Black Liberation Army, and scenes from Black Lives Matter protests in Baltimore.

109MB | 6m 11s | 1280×720 | mkv

https://nitroflare.com/view/661B060CA520138/An_Ecstatic_Experience.mkv

Language(s):English
Subtitles:None

The post Ja’Tovia Gary – An Ecstatic Experience (2015) first appeared on Cinema of the World.

Lynne Sachs – Still Life with Woman and Four Objects (1986)

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The film portrait falls somewhere between a painting and a prose poem. Sachs looks at a fictional woman’s daily routines and thoughts. By interweaving threads of history and fiction, the film becomes a tribute to a real woman: Emma Goldman.

154MB | 4m 04s | 1920×1080 | mkv

https://nitroflare.com/view/1A745992D23BFCF/Still.Life.with.Woman.and.Four.Objects.Lynne.Sachs.1986.1080p.mkv
or
https://tezfiles.com/file/3a8a65b4ea13b/Still.Life.with.Woman.and.Four.Objects.Lynne.Sachs.1986.1080p.mkv

Language(s):English
Subtitles:None

The post Lynne Sachs – Still Life with Woman and Four Objects (1986) first appeared on Cinema of the World.

Stan Brakhage – 23rd Psalm Branch: Part I (1967)

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An experimental film with various flashing lights, colors, and World War II footage. This is part of the Song series by Stan Brakhage.

832MB | 33m 13s | 768×576 | mkv

https://nitro.download/view/2B86724278E135C/23rd.Psalm.Branch.Part.I.1967.576p.Criterion.Bluray.x264-WHRen-Edit.mkv
or
https://tezfiles.com/file/fcda044e5aca6/23rd.Psalm.Branch.Part.I.1967.576p.Criterion.Bluray.x264-WHRen-Edit.mp4

Language(s):Silent
Subtitles:None

The post Stan Brakhage – 23rd Psalm Branch: Part I (1967) first appeared on Cinema of the World.

Stan Brakhage – 23rd Psalm Branch: Part II (1978)

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Quote:
The Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969. They are seen as one of Brakhage’s major works and include the feature-length 23rd Psalm Branch, considered by some to be one of the filmmaker’s masterworks and described by film historian P. Adams Sitney as “an apocalypse of imagination.” One of the filmmaker’s most overtly political films, 23rd Psalm Branch is often interpreted as being Brakhage’s reaction to the Vietnam War.

899MB | 30m 37s | 768×576 | mkv

https://nitro.download/view/C2E1C8479445BE6/23rd.Psalm.Branch.Part.II.1967.576p.Criterion.Bluray.x264-WHRen-Edit.mkv
or
https://tezfiles.com/file/1dd3bbaafb356/23rd.Psalm.Branch.Part.II.1967.576p.Criterion.Bluray.x264-WHRen-Edit.mp4

Language(s):Silent
Subtitles:None

The post Stan Brakhage – 23rd Psalm Branch: Part II (1978) first appeared on Cinema of the World.

Jim McBride – David Holzman’s Diary (1967)

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